#Baskerville typeface test license#

I would say Bodoni is applicable in a lot of situations, and it is easy to justify that situation because of the versatility here. It is simple enough to work for many things, but stylistic enough to make an impression. The fonts tested were Baskerville, Computer Modern, Georgia, Helvetica. It has many different feels to it based on how you look at it. The researchers were quietly using different typefaces for different test subjects. Lady Gaga and Nirvana have used it in album covers in a very fitting way. However, it is also popular in the music industry. It has a classic and fashionable feel to it, classic because of the traditional serifed roman letterform, and fashionable because of the geometric and light feel from the contrast.īodoni is often used for fashion industries, such as Vogue Magazine, because of it’s class with a modern twist. The increased push between the contrast of thick and thin strokes is the defining characteristic of this style, as well as the lean toward geometric form with more circular rounded sides and more vertical stems. The style of Bodoni, like I mentioned before is modern. It was used in many italian books and publications of the time, and continued to be used throughout history. Unlike Baskerville’s great failure when it was created, Bodoni seems to have been liked right off the bat. With it being so old, designers have done iteration after iteration of this famed font, making it the versatile beauty it is today. That being said, there are many different versions of this font for almost any occasion, ranging from a large style poster face, to simple cold type versions. The style grew as the demand for more geometric and modern type did, so that is how Bodoni evolved to where it is today. Although the font Bodoni is considered “modern” today, some earlier drafts of it are said to be transitional alongside Baskerville. However, Bodoni took said ideas to the next level by creating even more contrast between the thick and thin strokes, making letters more vertical, and greatly condensing width more than Baskerville had ever done. Bodoni was inspired under the ideas of John Baskerville when he designed his namesake typeface. Here we have a modern serif typeface designed by an italian man named Giambattista Bodoni in 1798. This typeface quickly followed Baskerville and it’s modifications moved it’s type style to a new era: modern. Baskerville is perfectly modern in its antiquity, striking in its modesty and timeless in its transiency.Because I did my last “good typeface” post on Baskerville, I thought it only acceptable to my next on Bodoni. We are convinced that your readers will enjoy this font mainly for reading extensive works, but also for creating corporate identity, orientation systems and cultural posters. Drawing, programming, proofing and testing took us many years of development and brought thousands of new letters and dozens of language options. The old masters were limited by the technology of the time, but today we can dare to have very fine lines, unlimited ligatures, size variations and sophisticated OpenType functions. This is not a precise remake of rare Baskerville prints or a restoration of the original punches cut by John Handy, but rather our ideal essence of transitional typography. In keeping with the original inventor’s spirit of excellence, we hereby offer its most advanced digital version. Baskerville is undoubtedly the best choice for any kind of publishing house. It was distributed by Berger-Levrault Foundry from 1815.

#Baskerville typeface test license#

Graphic design today calls for clean and minimalistic solutions, where the use of historical typefaces can achieve a vivid contrast with contemporary elements on the page or screen. ANRT serif 2 Styles Sample Specimens Test Drive Glyphs License Webfont Kit Fonts Baskervville Regular 663 Glyphs Baskervville Italic 507 Glyphs Font Information Baskervville is a revival of Jacob’s revival of Baskerville’s typeface. As a calligrapher and technical innovator, Baskerville invented new design, papermaking and printing methods, and his typography is very natural and legible to this day.

It shaped culture, education, entertainment and science, but also the development of typography itself. It has been created and printed for millions of readers around the world for more than two and a half centuries.

One of the most widely used typefaces in the world is actually a legacy of 18th century aesthetics, representing the spirit of late Baroque design, architecture, fashion and society.